YOUR CALL IS IMPORTANT TO US
Certainly you did not phrase it as
That night I first met you in
That most advanced
Antiviral sound terminal.
I lived in it
and so did you.
We were trying to start
something, not end whatever,
as we messaged unmelodiously
from your sound organism
Holding me deftly
Then the enormous, quiet
So it had to be quite hush
The squabble of the
When you departed,
and we exchanged
your call is important to us so please hang up.
I wanted to deeply
your ears were wired to everything,
with consumer culture
as we discussed
Art, music, and literature,
from your sound organism, trouble deftly held in conversation.
I was glad to know a transforming electrode-
cryptographic messaging syntax
with each other,
with God and man,
over and out.
How will I know you?
Richard Bentley has published fiction, poetry, and memoir in over 200 journals, magazines and anthologies on three continents. His books, Post-Freudian Dreaming and A General Theory of Desire, are available on Amazon, Powell’s Books, or at www.dickbentley.com. His new book, All Rise, contains recently published stories, poems, and graphic “wall poetry” that has been displayed in art galleries.
He has served on the board of the Modern Poetry Association (now known as the Poetry Foundation). He is a Pushcart Prize nominee. He was prizewinner in the Paris Review/Paris Writers Workshop International Fiction Awards. In 2012 and 2013, he gave readings of his poetry at the famous Paris bistro, Au Chat Noir.
Before teaching writing at the University of Massachusetts, he was Chief Planner for the Mayor’s Office of Housing in Boston. He’s a Yale graduate with an MFA from Vermont College.
As you may know, Bindweed Online 2019 has an ongoing submission call for poetry and fiction, with a note on our Submissions page to query after 2 months. In June, Bindweed Magazine Editor in Chief, Leilanie Stewart, received the exciting news that her debut fantasy novel, Gods of Avalon Road, will be coming soon from Blossom Spring Publishing! Over the summer, she has been busy working with her publisher to edit the manuscript.
This has also coincided with fellow Bindweed Editor, Joseph Robert’s latest poetry collection, Brexit Brokeshit, being released.
As such, both of us here at Bindweed would like to apologise for the delay in responding to new submissions. We are delighted that Bindweed Magazine continues to be a popular choice for writers seeking a home for their work, and we indeed read each and every submission sent to us. However, we’re experiencing a backlog at the moment due to our own current publishing projects. We’ll get back to you all as soon as we can and in the meantime, all accepted work will be published on the Bindweed homepage, as usual.
Thanks for bearing with us, and for keeping the Bindweed blooming!
Leilanie and Joseph
The Future Critics and Judges
Someday, archeologists will uncover the door of our home, make wild guesses
about the exact placement of the house number, and how
to read the characters that make up our address, write papers based upon theories
impulsively grasped at our lack of a doorbell, deduce our financial state
at our time of death by the words scrawled across the tacky dimestore doormat.
Someday, the clay ashtray I keep at the table next to my bed will become
a relic in a well-guarded museum, complete with a plaque attempting to decipher
the chicken-scrawl imprints made by kindergarten hands, the paint blob
on the inside that only I know is supposed to be a heart. Children like my own
will stare, bored, into the glass case, led by some museum docent, loudly announce
to each other that people from the past were stupid, that they
could make a pot as good as that one
in an afternoon.
Someday, future hands will stroke and catalog our furniture
wonderingly, mutter incessantly, much as we as we do now, at the way
we must have contorted our bodies to fit comfortably on chairs
too short for you and too tall for me, and on the way
no one piece matches another.
The mummy comes to my door, tells me
he’s moved in down the street, only now realized
we were neighbors, we should go out for coffee
sometime, we should catch up. Startled, not expecting
this shambling wreck of my past to just show up
on my doorstep as though nothing had ever
happened between us, I just nod my head
say that would be nice.
I shut the door and my daughter asks
who I was talking to, asks why
I look so funny, so strange. I say nothing
can’t find the words to explain that sometimes
the dead can crawl their way out through layers of dirt
breathe life back into their rotting limbs and
stop by for a visit, without any sort of warning,
no polite warning at all. I struggle
for an explanation, finally tell her
that it’s really none of her business, that even mommies
have things in their past
that nice little girls shouldn’t know about.
When Freedom Becomes Unbearable
We invite the government to read
our minds, the aliens to beam
new instructions with jagged
fingernails and broken glass
Give us a purpose! we shout
into the night sky, praying that
at least one cruise vessel bent
on world domination is heading
for Earth. We want to make wallets!
we plead, eyes on the stars in
supplication, heads matted
with drying blood, fingernails
ripping at our tin-foil hats and flinging
them into the air. One of the tiny moving
pinpricks of white above us must be
an alien spacecraft, aiming subliminal
messages into our prefrontal cortexes–we dig
into our scalps with the hope of making
mind control that much easier for our oppressors
the communications satellites circling overhead,
our hands outstretched, cracked and broken.
Holly Day’s poetry has recently appeared in Plainsongs, The Long Islander, and The Nashwaak Review. Her newest poetry collections are A Perfect Day for Semaphore (Finishing Line Press), In This Place, She Is Her Own (Vegetarian Alcoholic Press), A Wall to Protect Your Eyes (Pski’s Porch Publishing), I’m in a Place Where Reason Went Missing (Main Street Rag Publishing Co.), The Yellow Dot of a Daisy (Alien Buddha Press), Folios of Dried Flowers and Pressed Birds (Cyberwit.net), and Where We Went Wrong (Clare Songbirds Publishing).